~
A handful of "friends" (who seem to be based on people from "work") and I (the dreamer) are hangin out in a bright, clean(so clearly not at work; maybe a gym...?) locker room. At any rate, wherever we are, nudity is obviously not an issue, for: I am seated on a bench, my back to the lockers--seems to be showers across the way in front of me--and the others are gathered up on and around the bench to my left. Save one, a lovely young lass(who seems to be based on a combination of 'N' from work and 'M' from...Prague)who is sitting across my lap, facing the others, naked from the waist down. I may be naked too, not sure. There is no sexual overtone whatsoever; the nudity seems accepted matter of factly(I think that's how you'd say it; no one seems to care or even notice). Although, I am so captivated by this ravishing beauty sprawled across my bare legs, shiningly flattered that she would grace me with her favor and attention, I don't even know if anyone else is naked or not. My arm around her back, my hand on her leg seems accepted as a matter of course. She has more lotion on one spot than the rest of her well turned right leg, but I don't rub it in 'cause she's talking, gesturing with her hands, squirming all over my lap. The conversation breaks up, the others move from the bench--we're leaving,
apparently--and lovely 'NM' stretches and leans back, and the view of her shapely lower body is brightly etched into my brain...
(woke up feeling bright, clear, positive; amazing for a "work day." I'm also still amazed at how un-sexualized the nudity was, how calm and un-bothered by it we all were)
2.2.11
1.2.11
A Modular Existence
Entity, in its youth, was given building blocks to play with and constructed an algorithm for life as prefabricated perfection.
Entity, I envy your assurance in formulas.
Entity, apparently, controls chaos without recognising that chaos is the most dazzling unfact. Life has been dedicated to linear unfolding of this begat this begets that. Slotting this target into that outcome is hefty, rewarding work. Entity stops, stares back along the narrow path with satisfaction, then turns and stares with equal satisfaction at the eternity to be cobbled ahead. Gauge slots comfortably into gauge. Template determined, no error can occur unless failing is other than self. End is impossible. Immortality must be. No reward for life is inconceivable.
My life began as old rugs pulled from under me. I progressed to stretching knotted strips of carpet, faded and tattered silk kerchiefs worn by young women with high aspirations so many decades ago, hoarded string and old elastic, tying ragged ends together and hoisting my lines on impossible hooks as a tightrope suspended by improbabilities. Poised on the precarious slide of a microscope, I belly-flopped into space so as to observe my construct from various vantage points. Being is an internal speck of no consequence blown around the external infinite until cessation. Yes, this is how long a piece of string is… more or less. God is inconceivable.
Entity reproduces an impoverished image of hand-me-downs. Humans have become proficient in the emperor’s new clothes.
Entity, I envy your accomplishments within your neat existence.
My choice has been unlimited impossibilities and innumerable possibilities missed without regret simply because the fact of being bears no resemblance to modular constructs. I wear dead people's clothes and base my life on the remnants of their tattered holes. I wear dead people's clothes because they are pungent with the dreams of finite conceived of itself as infinite. I wear dead people's clothes because they reek of stale and forgotten ever-afters. I wear dead people's clothes because we are convinced that our personal end will have seismic ramifications. I wear dead people's clothes because personal end does not even register a shudder.
Entity, I pity your accomplishments within your safe existence.
[As an aside, I extend my gratitude to every artist involved with Discharge. I feel privileged to have access to the works of so many magnificent contemporary artists whenever I wish to indulge myself. I feel humbled at being allowed to contribute despite being unworthy. I can identify each and everyone's works at a glance and 'ooh' and 'ah' each time something new is posted. I adore and admire each and every one of you! Thank you for enriching my existence.)
Entity, I envy your assurance in formulas.
Entity, apparently, controls chaos without recognising that chaos is the most dazzling unfact. Life has been dedicated to linear unfolding of this begat this begets that. Slotting this target into that outcome is hefty, rewarding work. Entity stops, stares back along the narrow path with satisfaction, then turns and stares with equal satisfaction at the eternity to be cobbled ahead. Gauge slots comfortably into gauge. Template determined, no error can occur unless failing is other than self. End is impossible. Immortality must be. No reward for life is inconceivable.
My life began as old rugs pulled from under me. I progressed to stretching knotted strips of carpet, faded and tattered silk kerchiefs worn by young women with high aspirations so many decades ago, hoarded string and old elastic, tying ragged ends together and hoisting my lines on impossible hooks as a tightrope suspended by improbabilities. Poised on the precarious slide of a microscope, I belly-flopped into space so as to observe my construct from various vantage points. Being is an internal speck of no consequence blown around the external infinite until cessation. Yes, this is how long a piece of string is… more or less. God is inconceivable.
Entity reproduces an impoverished image of hand-me-downs. Humans have become proficient in the emperor’s new clothes.
Entity, I envy your accomplishments within your neat existence.
My choice has been unlimited impossibilities and innumerable possibilities missed without regret simply because the fact of being bears no resemblance to modular constructs. I wear dead people's clothes and base my life on the remnants of their tattered holes. I wear dead people's clothes because they are pungent with the dreams of finite conceived of itself as infinite. I wear dead people's clothes because they reek of stale and forgotten ever-afters. I wear dead people's clothes because we are convinced that our personal end will have seismic ramifications. I wear dead people's clothes because personal end does not even register a shudder.
Entity, I pity your accomplishments within your safe existence.
[As an aside, I extend my gratitude to every artist involved with Discharge. I feel privileged to have access to the works of so many magnificent contemporary artists whenever I wish to indulge myself. I feel humbled at being allowed to contribute despite being unworthy. I can identify each and everyone's works at a glance and 'ooh' and 'ah' each time something new is posted. I adore and admire each and every one of you! Thank you for enriching my existence.)
Etiquetas:
constructs,
deconstruction,
post humanism
31.1.11
30.1.11
?!?!?!
5 miutes ago I was trying to comment on Mo's "New Wave." The comment failed to go through and now the post is gone. What happened?
...was a beautiful photo...
29.1.11
28.1.11
26.1.11
24.1.11
23.1.11
EntreVistArtista: Montse Huguet Valle
"Without any pretentious of an extreme simplicity, and full of melancholy, the verses that Montse Huguet Valley´s writes are drawn by her spiritual sustenance .Suddenly she opens her hand and there they are those verses and those rhymes entangled between her fingers, and without further delay or glitter she dumps them on paper and from there to her projection areas. I think for her poetry is a way, a method rather than to express... to discover herselve.They are falling sheets that reveal the statues she built up at night. Each Montse´s verse is like an onion layer she emerges from reality, She attempts to transform it from herself; her poetry is as natural as could be her veins or fingerprints... that has much merit: to make a war, to battle and battle every day curing her wounds, bringing her hands to her memory as if it were a crystal ball where there are only verses, Thus facing reality with a weapon as safe and without any collateral damages as they are her compositions. "
Rafael R. Costa / Madrid, 2011
Affable woman and loving form of expression, art and feeling, Today she takes communion with a talk from a distance to EntreVistaArtista, entering us to her space, her time, her generosity. As a catalan poet, she began writing at the age of 17 years, since then, overcome by an urgent need for expression, she constructs the metric of her life among poems, although they haven´t known yet the existence of ink on paper, but she does not rule out any possibility .
For now, it is possible to find her poetic task in different places on the net. Places where she has stationed a record love affair between her and the moon, her mistress, her lonely retreat. Perhaps a prayer tool to find in the Other, the embrace denied on those days off, dipping her in a contemplative lyricism where she, the moon prism, will announce her feminine gender.
Montse, your first poem, "in light of what situation when was it born?, and from that vivid moment what memories would you like to share?
It was born from living my mother's pain, suffering from enormous and scandalous moments of silence while my father was a chauvinist with Catholic right ideas. He held them all ... my mother, my brothers ... me (...)
Woman, art and feeling... What is your relationship with yourself?
There is a total symbiosis between a human woman and the poetic essence, it is a way of life and create. All the while I do not know where one begins and another ends...
The contemporary woman learns to live by coupling different facets and rhythms while s she lives the moment, what challenges have you had to face to be a wife, a mother, and yet, a lover of literature?
The challenges are the solitude of a runner, with all advantages and disadvantages of being. It's a total adventure and I am adventurous.
Do you think your life has been conditioned by the circumstances?
We are always conditioned by the circumstances but if the spirit is free, it struggles to adapt to or to overcome those circumstances if they are adverse.
There is a figure of speech in your poetry, an element of inspiration, of course you know who I mean...
Yes, the moon, symbol of the unattainable, the dream, the beauty, the sensitivity, the mystery... the magic! "Half moon cake, melted in my mouth, and my dreams, and you ...! Midnight in the window, the heart dilutes, and my songs on the pillow. Half voice, only whispers to infect the soul. And you hardly listened!”
How do you nurture your moments of creativity?
The same poetry and my poetry readings yields are my food, coupled with my experiences in life. For example, when I have to start the car to go away, " Injured birds in the corners, a storm of kisses in the dark night. They hurt of course, open wounds, torn. Uncertainty is the answer. The humidity of that afternoon, undressed my landscape of the shattered heart. Messages were burned out, bobbin laces, and drainage. "
Why and for whom you write poems?
I write for an imperative and vital need to communicate my feelings. Writing is more than a purpose, perhaps an illness. The subtle dependence of the ephemeral word. Strokes on paper that mean something ... feelings, thoughts, or a adrift beating heart in each written letter. Licking with ink, the white of a paper and the drawn soul... aching in every line, when there are no kisses ... then, I have just that: words. "Nude with your dressed look with your kisses, captivated by your word. It moves the course of time, so small, so thick and shared. The decline has come. We have already gone."
The gigs you use to expose your work, Do they “meet your needs?
Yes, somehow... Sometimes somebody asks me if I have published any books. In fact, it's something I have not raised but I do not rule it in the future.
You describe yourself as a communicative being, cheerful, feminine, singular; sometimes, , flying lonely ... How do you enjoy the most? enjoying the solitude with yourself or when you surrender your partner love and if so, what does poetry fulfill in moments full of bliss?
I enjoy my solitude ,and by sharing it. One of my greatest joys is poetry, at any time and circumstance of my life. And the poem, runs its fingers on Montse´s response by craning her neck, spelling out instances when time and circumstances are bottomless void pieces ... "He told me: come! ... I said, I come! He loved me, without further ado, I wanted him without objections. He called me for coffee. He wanted to see me ... I went! We loved each other at last! And then ... we left each other. As usual...”
"As usual ... In order not to fail again ..." The anonymous heroine of a lost story in any corner of time, emerges in Chapter 47, giving life to Fernadina...
"Whenshe smelled good males in the bar, or on the street, Fernadina´s, skirts were upenough to show their calves, or she unbuttoned a bottom from her shirt, showing an insinuating neckline ... The lunar libido was a cross she couldn´t bear, especially whenshe could not flirt anybody. Decidedly, maturity, led her in a wrong way. Her powerfulinstinct was her undoing. She did not let slip any opportunity. The experience gained over the years, made her a shrewd and daringwoman. She knew how to handle any situation, by strange and unexpected they were. When necessary, she kept quiet and lookedaskance, at other times, she was open and showed the most beautiful smile. She knew how to dazzled men and women. However,despite her strategies, she did not often achieve her goal. Far from being disappointed, she let the days pass, accumulating wisdom,and through some verses, she drew conclusions, not to longer fail.
Traducción a cargo del filósofo: Alberto Pousa Torres
_________________________________________________________________
EntreVistArtista es un proyecto unipersonal, independiente, sin fines de lucro. Autora Rosa Matilde Jiménez Cortés. Publicación en exclusiva para en el Diario "El Sol de Córdoba" en Córdoba, Veracruz; México. Colaboración especial de: Mónica Jiménez Cortés y Alberto Pousa Torres.
21.1.11
20.1.11
18.1.11
CONFESSIONS
"Ah, Black Rose, you have such a magnificent sense of creating the drama of confrontation as slow and dramatic. Again you speak of orifi and phalluses in swarms... The bees are always working away, darting in and out of the everpresent moment. So much to do; so much to be done. Process goes on. They are interchangeable from moment to moment, generation to generation, beginning to end".
Etiquetas:
"Iryna Harpy" "Black Rose" "Rosa MaJiCor"
17.1.11
16.1.11
I just managed to perfect some small triumph after all the others. So, the sun shines and I want more. The house in great, by the way, with its minor, shuddering blasts running through me. I could offer a more simple response, but you know me. Maybe I believe feelings generate the man.
Zion de Janeiro (44, Mids)
Zion de Janeiro (44, Mids)
15.1.11
14.1.11
13.1.11
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Is discharge Dada? No, it is not. Influenced by and with a similar attitude to, but not Dada..
Is discharge Fluxus?
No, it is not.
Influenced by and with a similar attitude to, but not Fluxus.
Is discharge art for intellectuals? No, discharge is for anyone and everyone who appreciates creativity in all its myriad forms. Be it static visual, audio or moving image; the written word or the deconstructed, non-linear form. The spoken word and noise.
All creativity is the springboard for discharge. It highjack’s a multitude of genres and disciplines and transposes them onto the internet. discharge is electronically transmitted art, be it via blog, myspace or whatever format possible, it can also be produced and seen in classic formats.
The discharge Chapbook. The discharge Building by Parts book. discharge has no rules. All contributors to discharge are responsible adults. discharge has no leaders although it has an elected body of rotating editors who oversee rather than dictate the flow of the group.
The aim of discharge is to profile creative people and to do away with the pretension of the art world.
Everyday people creating art everyday to an exceptional quality.
Art by barrow boys and girls.
discharge is international.



















